Thematic Threads: Reflections on a Peer-to-Peer Partnership

Multidisciplinary artist and producer Danni Ebanks-Ingram and cultural geographer Carol Ann Dixon established a peer-to-peer partnership through which to explore and discuss shared interests in the oeuvres and art-political activism of contemporary artists who use their creativity to highlight and draw attention to issues of socio-economic, racial and environmental injustice worldwide.

The Organising Poster

Image 1. The Struggle Continues. Atelier Populaire, 1968.

What can movement archives teach us about creative production and AI? Nancy Salem traces three political archives to ask: who owns the means to produce knowledge and what is it for?

Joy / Resistance

In Joy/Resistance, Corrd centres Black joy as an emancipatory force and everyday resistance.

Mind the Gap: Heritage Work in a Fractured Present

JC Niala and Johanna Zetterström-Sharp reflect on what happens when institutions that have traditionally done memory work on behalf of society find themselves facing a society that is itself fractured through loss.

Who does the work?

Decolonising archives is often unpaid labour led by diasporic and indigenous memory workers. Erinma Ochu, Tosin Olufon, Nadine Aranki and Abira Hussein reflect on care, refusal, solidarity and community-held alternatives.

Mother Tongue – Language, Memory and Heritage

Dr. Tola Dabiri traces the genesis of this idea to the recurring discussions of mothers, their languages, and the inheritance of stories, at the April 2025 #UKCommunityofPractice convening. Since then, Dabiri has researched global changes in language diversity, examples of language loss, preservation, and safeguarding, and educational and legislative interventions.

Tapestry of Black Britons: Communities & Digital Space

The richness of British history is incomplete without paying tribute to the profound contributions of people of African descent.
Tapestry of Black Britons embodies this statement. Through our #UKCommunityofPractice convenings, founder Paula Ogun Hector was enabled to decolonise the tapestry co-creative process.